Madi Collins Makes ModelMediaUS Debut Opposite John Strong

LOS ANGELES — Madi Collins has made her ModelMediaUS debut, a POV duo costarring John Strong, on the studio’s Jerkaoke.com.

Titled “Real POV Adventures: Bad Cop, Hot Prisoner,” the action opens as Collins is caught speeding and taken to a cell. “She is more than willing to do what it takes to get out of jail,” a rep said.

“I am so grateful to ModelMediaUS for casting me in this sexy scene,” said Collins “I’ve worked with John, and I enjoyed working with him again.”

View a trailer for the new scene at Jerkaoke.com.

Follow Madi Collins on Twitter and access her premium social media links here.

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Natasha Nice Stars in New Brazzers Threesome

LOS ANGELES — Natasha Nice stars in a brand-new Brazzers threesome with Kaiia Eve and reigning XBIZ “Male Performer of the Year” Mick Blue.

The action opens with “newlyweds Natasha and Mick enjoying one another on the kitchen table. But when Mick’s uptight son and his girlfriend (Eve), come home from college for a surprise weekend, they’re the ones who get the surprise,” a rep said. “It’s then that Kaiia decides she wants Mick’s dick, too.”

However, Nice uncovers Eve’s plan and drags her into the bedroom for all-girl action; two become three when Blue joins them both.

“I love scenes like this,” Nice said. “I got to have it all — a big cock and a cute girl. The scene was a lot of fun to film, and I even got squirted on a few times. I hope my fans give it a ‘thumbs-up’ to show how much they enjoyed it.”

Watch the trailer and find additional information here and follow Brazzers on Twitter.

Follow Natascha Nice on Twitter and access her premium social media links here.

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Controversial New ‘Copyright Small Claims Board’ Begins Hearing Cases

WASHINGTON — The newly-created Copyright Claims Board (CCB), a “small claims court” for copyright disputes under $30,000 that has been denounced by digital rights advocates as a “disastrous” innovation, has officially begun accepting cases for review.

Congress established the brand-new, three-person CCB tribunal by passing the Copyright Alternative in Small-Claims Enforcement Act of 2020 (CASE Act), which was stealthily inserted as “pork” into Donald Trump’s thematically unrelated final COVID relief package, during the chaotic period between his election loss and the Jan. 6, 2021 insurrection.

The tribunal is comprised of three lawyers named David Carson, Monica McCabe and Brad Newberg, and is described on its website as “a voluntary alternative to federal court.”

The CCB, the new government site declares about itself, is “an efficient, streamlined way to resolve copyright disputes involving claims seeking damages of up to $30,000 and is designed to be less expensive and faster than bringing a case in a federal court. The Copyright Office has developed procedures to handle these disputes as well as ‘eCCB,’ an electronic filing and case management system.”

Ever since CASE was making its way through congress in 2019 and 2020, digital rights groups like the Electronic Frontier Foundation (EFF) have warned against its potential for misuse.

As XBIZ reported, according to the EFF, if an individual “got one of these [new CCB takedown] notices, maybe an email, maybe a letter — the law actually does not specify — and accidentally ignores it, you’re on the hook for the money with a very limited ability to appeal. $30,000 could bankrupt or otherwise ruin the lives of many Americans.”

Alongside with the creation of the CCB, the EFF warned, the CASE Act also created “bad changes to copyright rules, would let sophisticated bad actors get away with trolling and infringement and might even be unconstitutional. It fails to help the artists it’s supposed to serve and will put a lot of people at risk.”

Silverstein Warns Caution

Industry attorney Corey Silverstein of Silverstein Legal told XBIZ he does not “see the ‘copyright small claims court’ as a winner.

“Copyright claims should not be adjudicated by the same organization responsible for approving, rejecting and managing copyright registrations,” Silverstein noted. “This role is specifically meant for the judiciary. Fortunately, any party provided with a notice of this new type of proceeding has 60 days to opt out.”

Silverstein explained that it is “also important to note that decisions from these proceedings will be viewed similarly to arbitration awards, meaning a person unhappy with the decision will have very limited appeal options.”

Adding to the concern for the initial rollout of the tribunal is that its promotional material seems to encourage individuals to engage with it through claims of “ease of use.”

“Users of the CCB are permitted to have an attorney but can also represent themselves,” the tribunal offers. “CCB procedures are streamlined and conducted online. CCB proceedings involve far less money and time than federal court lawsuits. Participants in CCB proceedings are only required to provide limited basic documents and information, as opposed to the more complicated and costly process of exchanging evidence in federal lawsuits. CCB proceedings do not include the formal motions used in federal court, and any hearings are held remotely through video conferences.”

Silverstein reminds those who may want to use the new CCB protocols to “remember that if you opt out, that doesn’t necessarily end the dispute. The complaining party can still choose to proceed in federal court — as I believe they should be required to do from the start.”

He added that the $30,000 cap on claims and the fact that discovery is “substantially limited” means that “for complex copyright disputes, this would be the wrong resolution forum.”

Self-Declared ‘Impartiality’

The tribunal’s own literature also declares that the CCB’s three Officers “are impartial experts in copyright law.”

These newly-minted “Copyright Claims Officers,” the site adds “have deep expertise in copyright law, making them well-suited to determine copyright matters involving various types of works.”

According to an opinion piece by Lawrence Walters, from the Walters Law Group, in the current issue of XBIZ World, “adult content creators and producers should familiarize themselves with this new option for combating piracy of their valuable content and consider pursuing claims where appropriate.”

Media outlets and online platforms, Walters added, “should likewise become educated on these issues and evaluate potential designation of an agent for receiving notice of claims to avoid lost or misdirected notices which could result in up to $30,000 in liability if not addressed.”

According to the experienced industry attorney, “this new option for pursuing copyright infringement is about to heat up, so expect significant activity in this area in the near future.”

Walters’ XBIZ World piece also includes a detailed breakdown of the CCB’s expected practices and policies.

MYLF Network Releases 5 New Taboo, MILF-Centric Scenes

LOS ANGELES — MYLF Network has released five new scenes for the beginning of summer from its MILF and taboo brands MomSwap, BadMILFs, MomDrips, MYLF.com and their first from PervPrincipal.

In the new MomSwap scene, Charley Hart’s stepson (Nicky Rebel) encounters a bully at school (Alexander Vega). Stepmom Crystal Rush steps in to “handle the situation in her unique way,” a company rep explained.

Find a preview at MomSwap.com.

In “A Lesson in Humility” from BadMILFs, Summer Col is punished in a special way when she is caught taking advantage of Sweet Ass Hollywood’s stepson (Rebel).

Find the trailer for the scene BadMILFs.com.

June’s “MYLF of the Month,” Dee Williams, is featured in her own performer showcase on MYLF.com.

In “Do You Like This Pie?” Anissa Kate plays a hopeful homeowner waiting to get approval on a much-needed backyard fence. But when the local Homeowners’ Association representative (Brad Sterling) shows up, all he finds are property violations. Kate helps him “overlook” these violations.

Find MomDrips.com for additional information.

And the debut Perv Principal scene, “Save Her From Being Expelled,” find Vivianne DeSilva paying a visit to the school principal (Sergeant Miles) to figure out how to stop her bullying daughter from being kicked out of school. “The two do indeed come to an arrangement,” a company rep noted.

Find the trailer at PervPrincipal.com.

Follow MYLF Network on Twitter.

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Evil Angel to Debut 11 New Hardcore Scenes, 4 New Releases This Week

LOS ANGELES — Evil Angel will premiere four new hardcore titles this week as well as 11 new member-exclusive scenes.

New on the wholesale and retail market on Wednesday is director Pat Myne’s “Anal. Oil. Latex.” featuring “skin-tight fetish gear, slippery lube and slick, snug sodomy,” a rep said, as well as “Hookup Hotshot: Rough Sex Ratio” from director-costar Bryan Gozzling and “Dana Vespoli’s Extreme Anal” collection.

Arriving Thursday is “DP Angels” on the Evil Angel Red label offering double-penetration and DAP from directors Jonni Darkko, Proxy Paige and Chris Streams. “One of two scenes lensed by Mr. Darkko is a classic Angela White gangbang performance,” noted the rep.

Debuting online this week are a trans duo and a solo masturbation scene, from director JD; also, Ramon Nomar’s tryst with trans starlet Brittney Kade debuts Tursday.

Content creator Scarlet Chase will debut fetish scene “Humiliating Cuckold Peeping Tom” on Thursday.

Additionally, four uploads from Darkko’s “Anal Angels 5” premiere this week featuring Gia DiBella, Katalina Kyle, Gabi Peltrova and Bella Rolland, and three segments from Gozzling’s “Rough Sex Ratio,” starting with Anna Chambers, debut online.

Visit EvilAngel.com for additional information and follow the studio on Twitter.

For domestic sales, contact Rick Porras at rick@evilangel.com; for international sales and licensing, email Alexandra Kelley at alex@evilangel.com.

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Kendra James Earns 5 Nominations From 2022 Fetish Awards

MIAMI — Kendra James, the reigning XBIZ Cam Awards winner for “Best Fetish Clip Artist,” is celebrating five nominations from the 2022 Fetish Awards, including “Favorite Female Fetish Performer” and “Favorite Bondage Model.”

She is also among the contenders for “Favorite Fetish Superheroine Short Film or Clip” (for “Wonder Woman: Bound For Destruction”), “Favorite Fetish Superheroine Producer” and “Favorite Fetish Superheroine Performer.”

The Fetish Awards highlight and honor integral members of the fetish and alternative industries, including producers, clip artists, live stage performers, cam models, clothing companies and toy companies, noted a rep.

“I want to thank my fans for nominating me,” James said. “Knowing that the industry notices my hard work is a great feeling. Thank you, again, to my fans. You’re the reason why I am where I am, and I want to thank them for all their love and support. Make sure to vote to show your support to the fetish community.”

The awards ceremony, sponsored by Chaturbate, will take place in Saint Petersburg, Fla., on Aug. 14. Voting to determine the winners is open to the public until Tuesday, July 12. Click here to cast a ballot and follow the awards on Twitter.

In other news, James recently relaunched her official membership site.

East Coast Talents represents Kendra James; she is accepting bookings on the West Coast through Thursday this week. Follow her on Twitter and access all of her premium social media links here.

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Aneros to Release Special Edition ‘MGX Syn Trident’ for Prostate Health Awareness

Aneros to Release Special Edition 'MGX Syn Trident' for Prostate Health Awareness

HOUSTON — Aneros will be releasing a special, blue-colored edition of its MGX Syn Trident as part of the company’s ongoing “Aneros Goes Blue” campaign to commemorate Prostate Health Month in September.

Aneros is now accepting preorders for the new, blue MGX Syn Trident Prostate Health and Awareness Special Edition. Supplies for this device will be limited.

Aneros continues to partner with Zero/The End of Prostate Cancer, a nonprofit that focuses on education, awareness, research and patient care related to prostate cancer.

A portion of the proceeds from every Blue MGX Syn Trident sold will be donated to Zero, to continue the charitable work of prevention education, improving diagnostic tests, and providing information and support to those impacted by prostate health issues.

Specialty retail kits have also been crafted to help stores and retailers spread information about prostate health and wellness. The retail kit includes five blue MGX Syn Special Edition products, two “Aneros Goes Blue” T-shirts, two posters, two tent cards, two sign wobblers, five Aneros lanyards and 30 insert cards with prostate health-related information for customers. 

Kits will also be available to Aneros’ international partners.

Aneros will also be running several contests through September both for brick-and-mortar stores and online, and is encouraging retailers to create an “Aneros Goes Blue” display within their stores. Details for the contests are forthcoming.

For ordering information, contact a preferred sales rep, email sales@aneros.com or visit Aneros.com.

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Dorcel Spotlights International Cast in ‘Stars 8’

Dorcel Spotlights International Cast in 'Stars 8'

PARIS — Dorcel has released “Stars 8,” described as a collaborative effort between directors Ricky Greenwood, Alis Locanta and Whitney Wright and featuring an international cast led by French star Bella Tina and American performers Vanna Bardot and Lacy Lennon.

“Stars 8” runs approximately 200 minutes. “Each sequence is designed to unfold with an air of unhurried intimacy,” a rep said. “From the opening office fling that pairs Vanna with Quinton James to the concluding G/G/B from Anya Krey, Aya Benetti and Ryan Benetti, the directors keep the action rich and varied.”

In addition to continent-spanning erotic vignettes, the filmmakers “interpolate prettily-photographed tease segments showcasing Bella, Vanna, Uruguayan beauty Katrina Moreno and Anya Krey,” said the rep. “B/G include pairings from Katrina and Tommy Cabrio, Lacy and Tommy Gunn and a G/G/B featuring Bella, Anya and John Stwo, respectively.”

Daniel Metcalf, U.S.-based publicist for the studio, noted that the vignettes in “Stars 8” deal with “beauty and excellence, chemistry, and above all, the development of a romantic relationship through sexual interaction.

“Like the best Dorcel features, the sex here is an inherent part of each character’s growth,” he continued. “And while Dorcel fans are certainly familiar with the work of Ricky Greenwood and Alis Locanta, Whitney Wright has emerged as a uniquely gifted creator. In addition to having cultivated an established brand as a superstar performer, she’s demonstrating her talents on the other side of the camera and delivering tremendous results.”

Find additional details about “Stars 8” here.

Direct sales inquiries to Josh St. John at jstjohn@pulsedistribution.com or call (818) 435-1610.

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Proposed Bill Mandating ‘Canadian Content’ Will Also Apply to Porn

OTTAWA — The text of a new amendment to the Canadian Broadcasting Act proposed by the ruling Liberal Party demanding a set percentage of “Canadian content” on platforms available nationwide “definitely” also applies to adult content, according to regulatory experts.

The amendment, however, is unclear as to how exactly the “Canadianness” of a porn scene or piece of OnlyFans content should be determined.

The amendment, Bill C-11, has as its aim to subject much of the internet to direct oversight of the Canadian Radio-television and Telecommunications (CRTC), the National Post reported today.

The bill has passed the House of Commons with the support of the NDP and Bloc Québécois parties.

“Absent any major revisions by the Senate,” the report noted, “the likes of Netflix, YouTube and even Instagram will soon be forced to subject their content to Canada’s famously onerous strictures on Canadian content. But less discussed is how Bill C-11 will also apply to the internet’s vast wilderness of streaming pornography.”

According to Bill C11, all programs which are also broadcast via “online undertaking” — mainly through YouTube, Netflix or Disney+, but explicitly including all streamable content in general, will have to be monitored to assess its Canadian provenance.

Peter Menzies — a former CRTC vice-chair, now in opposition to the bill — has said “online porn will almost certainly fall within the bill’s purview,” the National Post reported.

“The final decision regarding who’s in and who’s out is to be made in a future CRTC hearing, but it’s difficult to imagine Commissioners giving Pornhub and its many hours of user-generated content an exemption,” Menzies wrote in a column.

Make the Algorithm Canadian Again

The CRTC has previously regulated erotic channels broadcast in Canada — including XXX Action Clips and the gay-oriented Maleflixxx — to “ensure that at least 35% of their adult content was Canadian, or the equivalent of 8.5 hours of Canadian porn per day.”

The bill’s provision to “ensure the discoverability of Canadian programming,” would apparently compel streamers — including YouTube and Pornhub — to tweak their algorithms “by federal mandate to disproportionately pair users with content that regulators have deemed to be sufficiently Canadian. Non-Canadian content, meanwhile, would need to be artificially hidden.”

In order to assess the Canadian provenance of the content, streamers would have to consider the baroque CRTC “points system.”

Under the mandatory system, the National Post explained, “content creators must file detailed budgets with the CRTC to prove minimum quotas of Canadian actors, Canadian crew and even the quantity of production costs that were verifiably spent in Canada.”

Although this may be good news for content involving the likes of north-of-the-border talent like Peter North, Jessy Jones, Samantha Mack, Eden Ivy and director Ricky Greenwood, or (perhaps) even funded by Gamma, the report indicates that “an avalanche of red tape” could also “lie in wait for Canada’s cottage industry of camgirls, adult actors and independent porn producers.”

Proposed Bill Mandating ‘Canadian Content’ Would Also Apply to Porn

OTTAWA — The text of a new amendment to the Canadian Broadcasting Act demanding a set percentage of “Canadian content” on platforms available nationwide “definitely” also applies to adult content, according to regulatory experts.

The amendment, Bill C-11, fails to clarify exactly how the “Canadianness” of a porn scene or piece of OnlyFans content should be determined.

Proposed by the ruling Liberal Party, C-11 aims to subject much of the internet to direct oversight by the Canadian Radio-television and Telecommunications Commission (CRTC), the National Post reported today.

The bill has passed the House of Commons with the support of the NDP and Bloc Québécois parties.

“Absent any major revisions by the Senate,” the report noted, “the likes of Netflix, YouTube and even Instagram will soon be forced to subject their content to Canada’s famously onerous strictures on Canadian content. But less discussed is how Bill C-11 will also apply to the internet’s vast wilderness of streaming pornography.”

According to the bill, all programs that are also broadcast via “online undertaking” — mainly through YouTube, Netflix or Disney+ but explicitly including all streamable content — will have to be monitored to assess their Canadian provenance.

Peter Menzies, a former CRTC vice chair who now opposes the bill — has asserted that “online porn will almost certainly fall within the bill’s purview,” the National Post reported.

“The final decision regarding who’s in and who’s out is to be made in a future CRTC hearing, but it’s difficult to imagine Commissioners giving Pornhub and its many hours of user-generated content an exemption,” Menzies wrote in a column.

Make the Algorithm Canadian Again

The CRTC has previously regulated erotic channels broadcast in Canada, including XXX Action Clips and the gay-oriented Maleflixxx, to “ensure that at least 35% of their adult content was Canadian, or the equivalent of 8.5 hours of Canadian porn per day.”

The bill’s provision to “ensure the discoverability of Canadian programming” would apparently compel streamers, including YouTube and Pornhub, to tweak their algorithms “by federal mandate to disproportionately pair users with content that regulators have deemed to be sufficiently Canadian. Non-Canadian content, meanwhile, would need to be artificially hidden.”

In order to assess the Canadian provenance of the content, streamers would have to consider the baroque CRTC “points system.”

Under the mandatory system, the National Post explained, “content creators must file detailed budgets with the CRTC to prove minimum quotas of Canadian actors, Canadian crew and even the quantity of production costs that were verifiably spent in Canada.”

Although this may be good news for content involving the likes of north-of-the-border talent like Peter North, Jessy Jones, Samantha Mack, Eden Ivy and director Ricky Greenwood, or perhaps content funded by Gamma, the report indicates that “an avalanche of red tape” could also be in store for “Canada’s cottage industry of camgirls, adult actors and independent porn producers.”