Dan Damage Named ‘Mr. Fleshbot’ for July

Dan Damage Named 'Mr. Fleshbot' for July

LOS ANGELES — Dan Damage has been named July’s Mr. Fleshbot and will be spotlighted on the site throughout the month.

The Atlanta native joined the industry in 2022, and has since appeared in over 100 scenes for studios including Brazzers, Deeper, Evil Angel, Naughty America, TeamSkeet and Tushy, among others.

“Dan Damage, Mr. Fleshbot for July 2023, is being recognized for his dedication to creating sex-positive content and his promotion of ethical pornography,” said Fleshbot’s Ariana Levi.

For more information, visit Fleshbot.

Follow Dan Damage on Twitter.

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Ready for Her Close-Up: Melissa Stratton Juggles Studio Work, Camming, AI Ventures

It’s a tale as old as Tinseltown. A Hollywood newbie from the American heartland attends a glitzy event. She’s surrounded by stunning women, head-turners all — but she’s got the “it” factor.” A talent scout singles her out and makes her an offer she can’t refuse. And why should she? After all, there’s no business like show business.

This literally happened to Melissa Stratton. In 2022, after barely a year of camming on Chaturbate, she was invited to attend the first-ever X3 Expo at the historic Hollywood Palladium.

“I had done a few live expos, but X3 was on another level,” Stratton tells XBIZ during an interview at legendary showbiz eatery the Smoke House in Burbank. She orders the Sinatra Special — Frank was a regular at this classic joint across from the Warner’s lot. Appropriately enough, she is dressed like Ava Gardner, bringing a bit of Old Hollywood cosplay for the occasion.

“All the top Chaturbate broadcasters were at their big central booth, everybody had their webcams out,” Stratton describes. “I was livestreaming to my fans, and suddenly one of the producers for MindGeek walked up to me and said, ‘You’re gorgeous — if you ever want to do a scene, let me know. We’d love to do it, in whatever way would make you comfortable.’ And then he walked away.”

For a few brief seconds, surrounded by the hubbub and din of dozens of cam models doing their thing, Stratton was taken aback with doubts and questions.

“I was like, ‘Wait. Porn? Would I want to do that?’” She laughs. “But after being stunned for about 30 seconds I just went, ‘Ooooooh, that would actually be a great opportunity. I’m already basically doing it solo.’ I literally ran back over to him. ‘Let me give you my number! I want to talk about this.’ And we did. We had a couple of conference calls picking talent, where and what I would want the scene to be like, etc. I ended up shooting three scenes for them, back to back. And the rest is history.”

Stratton still vividly recalls everything about that January weekend in Los Angeles.

“I remember locking eyes with Kira Noir and thinking, ‘Oh my God, I want to be just like her,’” she recalls. “Not only is she amazing, but I love her career path! I’ll just never forget looking around all these beautiful performers at the Palladium and being like, ‘I really want to be like this, this is where I want to be.’”

A Creative Finds Her Groove

It took Stratton until her early 30s to find her way into the adult industry and the career she now proudly calls her own.

“I love that a lot of the performers are photographers, artists,” she notes. “A lot of us are creatives who require a lot of attention, and this is how we fulfill that need. This deepest exposure of ourselves generates a lot of attention, and I found that resonated with me. Because I wouldn’t really consider myself highly sexual per se, but something about this industry is very fulfilling for me.”

Stratton describes her upbringing as “very conservative,” which she has counterbalanced by bucking tradition. Shooting porn, she explains, has been incredibly healing for her in terms of taking back the power over her sexuality.

“I never saw myself as sexual growing up,” Stratton shares. “I didn’t realize that women could orgasm until I was 18 because I never touched myself. I had never been taught that and any sex-ed class I was ever given was focused on a man’s perspective. And so I’m playing catch up at 33 years old, coming into the industry and learning. And I’m still behind!”

Like a disproportionate number of adult performers, Stratton has a Mormon background.

“I went to high school and college in Utah,” she says. “I’m an Air Force brat, so I moved all around, but I spent some really formative years in Salt Lake City. It’s one culture. It’s a one-note kind of upbringing. There is a lot of pressure, particularly for women. Everyone’s doing the same thing and everyone’s watching each other to make sure they’re doing the same thing. ‘Having the same standards’ is what they would say.”

Stratton is quick to add that she harbors no resentment over growing up Mormon, in a culture where girls are expected to internalize conservative, even old-fashioned values.

“I feel like it gave me a lot of skills,” she notes. “Self-reliance. Being self-sufficient. From something as specific as having a 72-hour supply of food and water at all times, to generally thinking ‘I’m planning, I’m thinking ahead, I’m taking care of myself.’ I didn’t realize until later that that spilled over into a lot of other aspects of my life.”

Still, even playfully dressed up to match the old-school glamour of the Smoke House, Stratton brushes off the idea that she seems quite “put together.”

“I get that a lot,” she laughs, a little embarrassed. “Which makes me laugh, because behind the scenes, I feel like I’m a hot mess. I had a photo shoot for hours today, and then I had a collab and I came straight from there. I got my dress at Target — I’m not that put together!”

In her teens, Stratton began to feel that strict Mormonism no longer served a purpose in her life and that she “had to be done with it.” Her parents were actually supportive.

“I was in high school and when I told them, they answered, ‘Yeah, we get it.’ It was almost like telling my parents I was gay. They were like, ‘Yeah, we know!’” She laughs.

Stratton’s youthful rebellion began with smoking cigarettes, having the occasional drink on the weekends — and coffee, caffeine being peculiarly verboten among the LDS faithful.

“When you’re taught something is so wrong your whole life, a lot of us just kind of snap and we’re like, ‘Fuck it, I gotta try it,” she says.

Meanwhile, Stratton also started to notice the effect her looks had on others.

“I did get a lot of attention as I got older,” she says. “I was in my early 20s when I started noticing that guys were looking at me and treating me differently. I think in a weird way that gave me a little bit of confidence to kind of be more sexual.”

Stratton explains that she has always been “a little bit of a closet freak.”

“I’ve always been in a relationship and I’m really wild and crazy with that one person,” she reveals. “I don’t sleep with a lot of people or do a lot of one-night stands. That wasn’t really my thing. But once I had somebody I really loved and trusted, I was like ‘All right! Fuck me upside down!’”

Leading With AI

Although she wasn’t a prude and had experienced her share of adventurous sex, Stratton says, camming still felt like an all-new experience.

“When I started, I wouldn’t even show my face,” she says. “I was so worried that I was going to get recognized, or that someone was going to tell my parents. I mean, I’d been out of the house forever. Why would I care about what my parents see? But I did.”

She opted for a somewhat generic username: Kitty Baby Camgirl. In fact, @KittyBaby_Cam is still her Twitter handle, which she still hasn’t gotten around to changing, for sentimental and practical reasons.

“I think I was building my confidence at the time,” she reflects. “It wasn’t out of shame. I was letting people get to know me during those cam sessions. Fear of putting myself out there on the internet was more my concern. And that quickly went away when I realized that this is what I love to do.”

The camming gig quickly became Stratton’s main way of supporting herself financially, helping satisfy her need for self-reliance. Six months in, she quit her graphic design business and plunged in full-time.

“I had to just jump all-in. I don’t believe you’re allowed to be one foot in, one foot out when something is giving back so much to you. I was like, ‘All right, this is a sign that I need to stop everything and do this.’”

From the start, Stratton recognized that for her, one of the most rewarding aspects of camming was connecting with her fans.

“The positive feedback I constantly get from the fans makes me want to do more and more,” she says. “There’s a fan of mine that I’ve been friends with since probably my second month of camming, and I’ll never let go of him. He’s such a friend to me now. Things like that make me incredibly grateful — that people find me interesting enough to either spend money on, or spend part of their day watching.”

Yet Stratton has also sometimes struggled with her self-perception and ability to feel worthy of her fans’ attention.

“I spent the first big chunk of change that I made from camming on plastic surgery,” she admits. “And it changed the game for me with confidence. It changed my audience, because some people liked this kind of ‘natural girl,’ so I got a lot of flack for it. But everyone that I lost because of it, I gained tenfold because I felt like the changes fit my frame a little better. I’m all for changing what you want to change about yourself to give you confidence.”

If you’re going put your body out there, she adds, “It has to be your favorite thing about you.”

“If I look in a mirror and I start nitpicking everything I hate about myself, I can’t do a good job that day,” she explains. “So I have to hype myself up, I have to remind myself how beautiful I am, I have to look at old pictures of photo shoots I love. You’ve got to bring that positivity, that self-love, because people are so attracted to confidence and charisma. If you don’t have it, you’ve got to work on it.”

Stratton still pays close attention to her fans’ needs and wants. She says her most consistent fan base is young-to-middle-aged professionals, many in demanding careers, who need an outlet.

“I have a few people specifically that like to call me just to talk because they’re so busy, and they travel a lot,” she says. “They don’t line up dates. They don’t meet a lot of people, so this is how they want to spend their time. They just want some attention. And I love that. I feel like I have a lot in common with those people.”

To cater to fans who might need someone to talk to when she is not available, in May Stratton launched the beta version of an innovative “artificial intelligence companion,” dubbed Melissa AI.

“Much of my career has been playing catch-up to everyone else that started during COVID — getting to know companies and performers and everything,” she explains. “So I needed something that was leading instead of following, and I hadn’t heard of anyone else doing an adult AI companion yet.”

Melissa AI not only helped Stratton feel like she was leading instead of following, but it also met a need among her fan base. While Melissa Stratton may not be available all the time, she notes, an AI companion is. And a lot of her fans just need someone to talk to.

“I was like, ‘Yes, absolutely. Let’s do it.’ So a company approached me to build it for me. They weren’t sure they wanted to be involved in adult, but wanted to see how it went. And they’ve been blown away by how people are engaging with this already.”

Stratton’s optimism about the new technology is contagious as she demonstrates on her phone how a language model has learned to produce a nearly flawless audio version of her.

“Everything has been new to me since I started in this industry,” she says, with a smile. “Putting yourself out there, working with new companies, working with new people, seeing yourself on different websites —it’s all scary to me. The AI companion is just part of the journey. I see so much potential in this.”

Stratton also feels grateful to Chaturbate for continuing to support her by bringing her to events and highlighting her in the company’s marketing, even after her transition to pro shoots.

“It’s such a blessing to have such a good crew over there,” she says.

And the future?

“I don’t know necessarily what my exit strategy is yet, but I definitely knew I wanted to diversify early on,” Stratton says, wrapping up the dinner before heading to the Sunset Strip to support director Mike Quasar’s punk band The Cocks at their Whisky-a-Go-Go appearance. “I didn’t want it to just be camming. I didn’t want it to just be shooting scenes. I also want to give my fans whatever they want. I definitely run my brand like a business.”

And wherever Stratton has taken them, the fans have followed.

“I would say 90% of them loved it when I started doing professional porn. And there were a few that really didn’t and they wrote to me, ‘Oh, you changed — you’re not that sweet, innocent girl.’ They thought they had something no one else had,” she concludes. “But I’m for the people. You can’t own me.”

All photos by Darkstripe.

Reimagine Sexuality’s Rocio Pelayo to Moderate #SexTalkTuesday

Reimagine Sexuality's Rocio Pelayo to Moderate #SexTalkTuesday

LOS ANGELES — Technology strategist Rocio Pelayo of Reimagine Sexuality will serve as special guest moderator on tomorrow’s edition of the Twitter-based chat show #SexTalkTuesday, to discuss the intersection of technology, sexuality and ethics, from 8-9 p.m. (EDT).

Pelayo, who has worked as a consultant for Deloitte, Accenture, and BearingPoint, discovered sex tech in 2017. She has since become a global speaker on the industry, including founding the Reimagine Sexuality Technology Conference, now in its second year.

Angie Rowntree, owner of Sssh.com and producer of #SexTalkTuesday, said, “Sex tech is an incredibly thrilling and ever-evolving field within our industry, and we are delighted to have Rocio as a guest moderator, connecting our community with the upcoming Reimagine Sexuality Conference in August.”

Participate in the discussion by following the #SexTalkTuesday hashtag and access the show online and on Twitter.

Follow Sssh.com on Twitter and XBIZ.tv, and direct inquiries to Rowntree at editor@sssh.com.

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Holistic Wisdom Releases Guide on Pleasure Products

BEND, Ore. — Holistic Wisdom has released a guide on the benefits of pleasure products.

“The guide provides readers with an in-depth look into the advantages of sex toys, including enhanced sexual pleasure, intimacy for partners and health benefits,” said a rep. “It includes sections on how sex toys can enhance stimulation to different areas of the body, ranging from clitoral and G-spot stimulation to anal and penis stimulation. For those navigating physical challenges or disabilities, this guide also holds meaningful insights, offering practical advice on how sex toys can provide an empowering avenue for self-discovery or shared intimacy.”

Dr. Lisa Lawless, Holistic Wisdom CEO and author of the guide, elaborated on the benefits of the guide.

“Our guide provides an encompassing perspective, demonstrating how sex toys can reduce stress and anxiety, increase communication between partners and help deal with various sexual health issues,” she said. “Through this lens, we can revolutionize our understanding of sexual wellness.”

To view the guide, visit HolisticWisdom.

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In Her Groove: Alexis Tae Finds Balance as Versatile Performer

There has always been a particularly radiant quality to Alexis Tae, and now, cruising through her fourth year in the industry, she is more radiant than ever — on camera and in person. After years of on-the-job learning and calibrating her likes, her persona and her goals, this two-time nominee for XBIZ Female Performer of the Year has clearly found her groove.

It doesn’t hurt that Tae is athletic and svelte — she used to run competitively — but curiosity and motivation are the consistent traits that have led her from total sex work newbie to consistent bookings and, ultimately, a coveted slot among the Spiegler Girls. It took her a while, however, to find the balance that now infuses her with that extra glow.

At a Japanese restaurant in North Hollywood, she shares authentic ramen, assorted appetizers and her thoughts, beginning with her start in the industry in 2019. It was a full, busy year during which she embraced her unexpected status as an “anal queen” — only to have her initial trajectory truncated by the Great COVID Interruption of 2020. She spent the next two years turning crisis into opportunity by stepping up her content-making game, workaholic-style, finally emerging as a powerhouse hardcore performer shooting on a grueling self-imposed schedule.

Tae’s work ethic and willingness to “go there,” plus her striking looks and winning personality, helped her establish a strong presence in the industry. Having accomplished that, however, she realized it was time to reap the fruits of her sacrifices and start balancing work with a better quality of life.

“I was a fresh 21 when I started,” Tae explains. “I’d never done any other type of sex work. Actually, I’ve still never been to a strip club to this day. I’ve been to Jumbo’s Clown Room, but I’ve heard that doesn’t count as a strip club — I had a great time!”

Doing Her Own Research

Tae’s journey into porn began with boredom.

“I was just waitressing and I didn’t really know what I wanted to do,” she recalls. “I’m passionate about a lot of things, but I’m all over the place so it can get really hard to pinpoint one — but I knew I loved to perform. Friends had mentioned camming and I knew a couple of people that were doing that, so I answered a ‘Looking for Models’ ad on Craigslist.”

The ad led Tae to a cam studio in the middle of Pittsburgh, where she was given the pitch to become a cam girl.

“They were very nice,” she says. “But the cut they gave you was terrible and I was like, ‘Why don’t I do this by myself?’ I never did it — I still haven’t — but while I was researching how to cam by myself, I found a website that had a list of porn agents.”

At the time, Tae explains, she had not watched much adult content online. “I still don’t,” she reveals. “I’ve always been more of a fan of written erotica. I like to read.”

After emailing prospective agents, in November 2018 Tae started homing in on the possibility of becoming a performer.

“I did all my own research,” she notes. “I even looked up girls’ Twitters to see what they were saying and what it was like.”

Unsurprisingly to anyone who has seen a picture of Alexis Tae, several agents got back to her immediately.

“I was like, ‘Oh shit, that’s crazy…’” she now laughs. And so she was in.

She credits her first agent, John at East Coast Talent, with showing her the ropes.

“To this day, I think that was the perfect decision for me at the time,” she says. “I love Spiegler but I couldn’t have survived my first year at that level.”

Her first shoots, in January 2019, were a girl/girl and a solo — and she ended up surprising herself.

“It was really not awkward at all, which was weird because I was very shy! I’m still kind of shy, but back then I was very, very shy, especially with my body, and sexually I was still figuring things out. But the second the camera turned on, it was ‘Go!’”

Reflected in that choice of words are all those years of athletic training, now suddenly repurposed for her new career.

“I always compare the on-set experience to running, because you get all these nerves and you’re so scared before a race and then, literally, you hit your stride,” she explains. “Your body just does exactly what it’s been trained to do.”

Yet when the camera turned off, the jitters and impostor syndrome returned.

“I was so insecure and still very nervous,” Tae shares. “I didn’t want to fully commit to it just yet. I hate failure, so I don’t jump into something unless I know I’m not going to fail — and I didn’t know back then. I was still treading water. I thought, ‘Everyone else is so good.’”

Tae vividly remembers seeing her first scene pop up on Twitter when she was with friends.

“What a crazy moment that is,” she marvels. “You’re like, ‘Wow, it’s done. That’s me. I’m naked on the internet. The bandages are off.”

Learning the Ropes

The first year, Tae says, she “learned everything.”

Six months in, she did her first anal scene for True Anal and — much to her own surprise — an “anal queen” was born.

“I obviously loved it!” she laughs. “I’d never done it before and then I did it and I was like, ‘Holy shit. This is great.’ And then I saw the response online and I told myself, ‘OK, this is so cool — I’m going to keep doing it.’”

The first hurdle in her rise came in January 2020, when a new California labor law forced all performers to incorporate as businesses. She delayed the process by a couple of months and by the time she had things straightened out, COVID had shut down production.

This changed everything, though Tae considers herself fortunate that she experienced a full year of the pre-COVID industry, something that many of her current peers did not. She bootstrapped her operation during the shutdown.

“I did lots of content, every single day, five times a day all day, just busted it out,” she says. She even licensed her at-home content with Adult Time and learned the ins and outs of self-production, marketing and distribution, including the fundamental lesson: “POV anal sells, no matter where the hell it is, no matter what quality it is — it’s getting sold.”

After production resumed, Tae immersed herself in the brand-new world of “collabs.”

“At first I only collabed with two people, who were very close friends,” she says. “They taught me everything: how to do paperwork, how to have hard drives and backups, and how to organize my Dropbox folder. I learned how to edit, how to upload on every single website instead of just OnlyFans. This was all stuff that would have taken me years to learn, but I got all of this information in a few months and it really, really helped.”

A Market for Everything

Tae’s self-reliance was matched by the development of a fierce fan base that she actively cultivates. Her personal brand development worked in tandem with her studio offerings, though initially she also had to deal with old industry practices of labeling that can hinder some performers like herself.

“I feel like I have a bit of a different experience in the industry because I am mixed and I’m Black,” she explains. “Especially when I got in four and a half years ago, there were so few girls like me. I was in a ‘niche’ market already and then I started doing a lot of anal so I was even more niche.”

This uniqueness was a double-edged sword: while it caught the attention of fans who might be trying to fetishize her, it also made studios that leaned into strict categories based on looks or background less likely to book her.

Tae is candid about the realities of the industry.

“You have to categorize things,” she says. “That’s life. But we’ve seen change. Some of the titles that I saw when I got in blew my mind with how openly racist they could be. And every now and then, some shit will happen. Sometimes I still lose scenes because I’m Black. Like, if I’m supposed to do like a boy/girl/girl and the other girl is Black and she cancels, I’m losing the scene — because I can’t just shoot with a white girl, and they can’t just shoot me by myself.”

Newer companies, Tae notes, usually take over a year to start shooting Black women. “Doesn’t matter how popular you are, it doesn’t matter how well you sell. Realistically, everybody is stuck in their system. If you always show the internet 100 blonde girls, they’re going to jerk off to blonde girls. It’s just conditioning. But if you just shoot more Black women, then the audience will get accustomed to that.”

By way of example, Tae notes, when she started shooting in 2019 she was shocked by the casual racism in the comments. But now when she shoots for the same companies — with presumably the same fans — the comments are much “softer.”

“They’re just like, ‘We love you, Alexis!’ and I’m like…” She makes a confused face. “‘Cool?’ So it can change.”

Tae also questions the claim that “Black-on-Black” content does not sell. Her evidence: influencers and premium social media.

“The highest-paid content creators that I know are Black women, and Black guys make a ton of money too,” she says. “When I think of a wealthy content creator, I don’t think of a white girl. I think of Miss B Nasty, who’s self-made completely. She’s the best, but there’s 10, 20 more of her all over the internet. And it’s great. There’s a market for anything if you know how to sell it. And there’s room for so much more.”

Finding Balance

“So much more” also describes how Tae is tackling this year — though instead of the workaholism of the post-pandemic rush, that “more” includes some serious work-life equilibrium.

Tae also feels like the last few months have really rebranded her career in terms of her work persona.

“I was seen as a really heavy hardcore performer, and early on I did almost no girl/girl scenes. But this year, that changed — it’s so nice to finally get to do features and get to do acting, and I do almost all girl/girl right now. It’s freeing. I’m having such a lovely time, just being able to do all that.”

Tae does feel thankful that she got to experience her hardcore era already.

“I was so young and enthusiastic!” she reminisces. “I’m so happy I did all that because I loved it — every single time it felt authentic and pure. But now I’m also loving being with women and just being able to experience the softer side, the more relaxed side. It’s cool. I’m so much less stressed.”

She already has two girl/girl features in the can: a production about chefs for Dorcel and a James Avalon-helmed project for Adam & Eve.

“I got to work with Kenna James for the first time, and Kylie Rocket,” she enthuses. “We basically cucked Seth Gamble! It was hot — he had to sit there and take it. It was a really fun day. I love James Avalon. He’s the best. He cares — he literally loves being there. He’s so happy. He directs me like, ‘Yeah, I love it! Okay, do it like this.’ And I’m like, ‘Okay, I’ll do it exactly like that.’ And I do. And it looks perfect. He’ll come up all excited and show me photos, and say ‘Let me take one on your phone!’ And I tell him, ‘Damn, you even got the Instagram style down, James.’”

Tae also enjoys working with Casey Calvert, Ricky Greenwood, Ricky Johnson, Jackie St. James and the Adult Time crews.

“That’s what my whole year has been filled with,” she notes, smiling, having dispatched her bowl of ramen. “I feel like it’s just all the companies that I love. It’s really cool to look at my schedule and be like, ‘Oh my God, everything I’ve done is significant. I’m proud of everything I’ve done this year.’ And it’s quality now, not quantity. Because I already did my quantity earlier in my career.”

Tae has saved up time to travel, to be with her cats and even to venture into dating.

What grounds her, she says, is how much she loves her job.

“I’m happy to think about going into other spaces other than just performing,” she concludes. “But I would like to be here for a long time. I went through it and I feel like I just came out on the other side, and I have such a beautiful love for porn again. I feel like I figured it out.”

All photos by Tamara Fox.

Falcon Studios Releases ‘Endless Summer’ BTS Featurette

Falcon Studios Releases 'Endless Summer' BTS Featurette

SAN FRANCISCO — Falcon Studios has released a behind-the-scenes featurette for its upcoming tentpole feature, “Endless Summer.”

The title, directed by Tony Dimarco and starring studio exclusive Luca Del Rey alongside Trevor Brooks, Oliver Marks, Dean Young, MrDeepVoice, Alpha Wolfe, Ashley Stones, Carter Collins and Matheuz Henk, premieres next Friday.

“Today, one week prior to the official release of the splashiest project of the year, Falcon Studios has debuted a brand-new featurette that’s loaded with sizzling hot studs, behind-the-scenes footage, and never-before-seen moments from this upcoming mega-movie,” said a rep. 

Dimarco enthused about the featurette.

“Summer’s here, and it’s ‘sun’s out, buns out,’” he said. “This new featurette takes viewers behind the cameras of Falcon’s ‘Endless Summer,’ offering an all-access experience that shows how nine Falcon studs come together to create a seasonal movie experience you’ll never forget.”

For more information, visit the Falcon Surf Shop online.

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Sara Jay to Appear at 710 Dab Day in Miami This Saturday

MIAMI — Sara Jay will be appearing at the 710 Dab Day event tomorrow from 6-11:30 p.m. (EDT) in Miami.

“I love 710 Dab Day,” said Jay. “It’s the 10th annual event and it’s a great place to show off Sara Jay CBD and all of the great health benefits of CBD. Come one down and join the celebration and let’s talk about what my products can do for your aches and pains.”

For event information, click here.

Follow Sara Jay on Twitter.

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Sedona Reign Stars in New Penthouse Scene

LOS ANGELES — Sedona Reign is featured in a new scene from Penthouse Gold.

In “Sex Therapy with MILF Sedona Reign,” Apollo Banks pays a visit to Reign, hoping that she can help cure him of his sexual fetishes. 

“Sitting on the couch in their session, Apollo admits he masturbates in public and even whips out his huge cock and plays with it halfway through their session,” reveals the synopsis. “Wanting to cure Apollo of his ‘ailment,’ Sedona offers her BJ skills and and lets him fuck her right in her office. Sedona might be offering a new kind of sexual healing, and she’s hoping her unorthodox methods will work.” 

Reign enthused about the scene. 

“I’ve always wanted to be a sex therapist in an adult scene,” she said. “I think it’s the perfect storyline and can go in so many directions. Apollo and I had amazing chemistry and this is a definite must-see for my fans and Penthouse Gold members.” 

The scene is streaming on PenthouseGold.  

Follow Sedona Reign on Twitter

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Ophelia Kaan Stars in 2 New Scenes

HOLLYWOOD, Calif. — Ophelia Kaan is featured in new scenes from PervCity and Girlfriend Films.

In Kaan’s PervCity scene, she stars opposite Michael Stephano.

“As the scene opens, she lights up the room with her pretty smile and shows off her sexy body in a silver tube top and skirt with black heels,” the synopsis reveals. “Ophelia quickly shows off her incredible ass as she slides up her skirt to reveal her lace panties and a purple butt plug in her ass before pulling off her top to reveal her DDs. Watching Ophelia makes Michael Stephano horny, and he gets a taste of her pussy, tits and feet.”

In Girlfriend Films’ “Lesbian Seductions 76,” Kaan stars with Freya Kennedy as a home stager. After Kennedy compliments her handiwork, Kaan leads her to a bedroom to pose for a few pictures, which leads to “a passionate sapphic afternoon delight.”

“My scenes for PervCity and Girlfriends Films are definite must-sees for my fans,” said Kaan. “I immensely enjoyed being on both sets and had real chemistry with Michael and Freya.” 

Follow Ophelia Kaan on Twitter

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