Cousins Group Offers Retailer Discounts Through Autumn

LOS ANGELES — The Cousins Group, creators of the Pink Pussycat, Star Strokers and other pleasure products, is offering several discounts to its retailers to ease the sting of a post-pandemic lockdown recovery.

“The past year has been tough on all businesses. The pandemic and an economic crisis like never seen before affected all businesses, especially the sexual wellness industry,” noted a rep. “Cousins Group felt the sting of rising costs on both materials and labor. Those cost increases all contributed to businesses raising prices to help cover their new expenses.”

However, Cousins Group is offering discounts to “their loyal retailers,” the rep added.

“This will enable stores to stock their high-quality products at discounted prices. Their products will be subject to a 5% discount on toys and a 3% discount on supplements through autumn,” said the rep.

“The fine people at Cousins Group aren’t just holding the line, we are lowering our prices in order to help our partners recover and grow their businesses from the pandemic,” spokesperson Dino Muraco said. “We understand that while these losses were detrimental to the industry, increasing prices on already struggling businesses isn’t the answer.”

“We are grateful for our retail partners and customers, and this is one of the ways we can help,” added Muraco.

Direct inquiries to cousinsgroup@icloud.com.

Related:  

PASS Holds Town Hall Meeting About Testing After ‘Lab Duopoly’ Era

PASS Holds Town Hall Meeting About Testing After 'Lab Duopoly' Era

LOS ANGELES — PASS, the Performer Availability Screening Service, held a town hall meeting this morning to discuss the future of performer testing after what Executive Director Ian O’Brien described as the “duopoly” era of TTS (Talent Testing Service) and CET (Cutting Edge Test) dominance.

The Zoom meeting was moderated by performer and activist Siouxsie Q, and featured an initial half-hour presentation by O’Brien — fleshing out some of the new ideas he had discussed exclusively with XBIZ earlier this week — followed by a Q&A that included Free Speech Coalition CEO Michelle LeBlanc.

O’Brien described the “wild year and a half” since the onset of COVID precipitated the withdrawal first of leading lab TTS in June 2020 and then, earlier this week, the surprising unilateral withdrawal of CET.

O’Brien then gave more details about “how we got to the situation,” before unveiling much of the planning for a new PASS-run lab, which would include drawing centers first in Los Angeles and Las Vegas, and later in Florida and through deals with other drawing centers nationwide.

The PASS executive director said the timeframe to get a “very scrappy” initial version of the lab up and running will be between three and six months, which could be shortened and improved with increasing fundraising by the community.

The panelists encouraged the performer community to donate to the project by visiting the PASS website and clicking on the donate button in the top right corner.

The Future of PASS 

O’Brien’s presentation outlined a number of issues concerning the present and future direction of the performer testing system:

Current Testing Situation

“The most important point to reiterate right now is that both CET and TTS are currently using the PASS standard testing panel. Getting tested through both of them is the same as it was prior to their withdrawal from the PASS system. The same test batteries are being conducted. The results [reported] are what they were before this issue occurred.”

Various Reasons Given by CET for Sudden Withdrawal

“We learned about this on Monday through a tweet along with the rest of the industry. We never had a reason communicated that something was going to occur. Dr. Miao of CET had reported to XBIZ that their reason for pulling out from PASS had to do with a conflict with our change in [COVID] testing for fully vaccinated individuals. […] We believe that the policy we set is the safest for the industry. […] We got reports from performers going to CET that they’ve been telling folks that their reasoning [was] due to a lack of security and privacy concerns in the PASS database. This is the first I’m hearing about that.”

O’Brien said that PASS was created “specifically for minimizing the potential for data security issues. PASS is built in a way with that binary ‘yes/no’ system that even if someone were to get in and receive the information, no medical [or] health information is stored anywhere near the site.”

Labs Withdrawals May Lead to Production Hold Inefficiencies

According to O’Brien, PASS now has “limited control of production holds. I want to reassure to everybody that I have a direct commitment from TTS, and an insinuation from CET, that they will continue to be cooperative in the event that a production hold is necessary.”

However, O’Brien did outline possible complications. “My job in the production hold process is to shorten the length of it as much as possible. In the event that we have no information except that an infection has occurred and could potentially be transmitted, a production hold would last 14 days, minimum. […] When a production hold occurs, my job is to collect as much information as possible, identify folks who may or may not have been exposed to this infection, get them retested as fast as possible based on when that exposure may have occurred, clear them on the PASS database, and shut down the production hold. […] Not having direct input into that system means that there’s a delay in that process. It means that every step of contacting potential performers is reliant on TTS and CET’s agreement to do so, their staffing resources, and also explicit consent to share test results. […] When every [lab] was reporting to the PASS system, when we were able to get somebody retested, the clearance would be on the PASS system and I could see someone was clear and we were good to go. Now I have to have people disclose specific infections or test data if we were to shorten the timeframe. There is some increased risk in terms of safety. But there is a very large risk in the length of the production hold and how folks would be required to not be producing.”

Lack of Leverage Against Unilateral Decisions by the Lab Duopoly

O’Brien described PASS as “the database and the regulatory body here” and one of its roles as “to negotiate with the clinics around what specific testing needs might be. When you go get tested at a CET or TTS clinic, they control the entire operation, they control the price point, all the money that is collected from that goes to them. FSC and PASS have never made any money off of that process. Due to that [fact], we were no longer a necessary [component of] their ability to provide their services to the industry.”

Issues With Bringing in More Labs Into PASS

“Part of our strategy for a while was trying to bring in new clinics to this mix to be able to provide folks with more options, spread out control of the process and let the market take care of it. The challenge is that lab testing is a volume game.”

Problems arose, O’Brien said, due to the unique needs of the adult industry community, which “has sex in an occupation setting. [We want] risk measure in a matter of days and we want to reduce that window as much as possible. This is different than most public health testing. A frequent question that I get is why we don’t tie into free health clinics; there’s no specific reason we would not. If free health clinics were to be able to offer [our] testing panel, immediately we would accept those test results into PASS. The kind of unique nature of PCR testing means that it’s a more expensive test than antibody/antigen testing and public health measures that free clinics are set up around are using a different model for a different population. They are testing for folks who are typically screened, at most, every six months.”

Testing Is a Game of Volume

“The costs associated with it are fairly fixed, meaning that running one test panel is almost as expensive as running a thousand. The real expenses are the machine and people associated with the process. The margins of testing 1,000 people versus 500 people are fairly dramatic. When we’ve been able to talk to new labs, even labs who were interested and were able to do this, without a volume commitment they can’t be pricing, can’t guarantee turnaround time, which presents a structural problem.”

The Industry Needs to Be More Proactive About Health Solutions

“As an industry, we have been forced to be so reactive,” O’Brien said. “I think it’s stifled our ability to focus and develop and fend for ourselves. The inception of PASS as an idea is exemplary of that problem: outside forces exploited a particular vulnerability in our own testing system and PASS was created specifically to address those vulnerabilities first and foremost, so that we can get the basic level of care that we need. I think that what this moment proves is that we have an opportunity here to imagine something different than what we’ve been doing.”

Catering to a Diverse Performer Population

“The diverse needs are enormous. One of the issues that we’ve been talking about over the past four years is how to better address testing for gay performers and testing for folks with HIV. The last time that we began to just have a conversation on that, because we didn’t have the structures in place, [and] because we were so scared of reaching that conversation, it got so wildly out of hand, and TTS made a unilateral decision to change our testing policy before we even had a talk about it as a group. And that’s where we’re at now.”

Performers Need to Get Directly Involved As Consumers

“Testing starts with performers and ends with performers. Performers are the ones going to the lab, they are the ones whose health is immediately impacted. And right now you really don’t have power as consumers. And trying to advocate for that power has been difficult. PASS can be a tool to direct what you need and make systems that you can better address and articulate and interact with.”

A Lab of Our Own

“Our immediate solution is that we are trying to create a lab and community center of our own. And when I say ‘lab,’ I don’t mean the front-facing testing center. I mean the machines that are processing the test results themselves. We want control of the entire supply chain. We want to be able to adapt to whatever the health needs of our community are. When COVID first started, I was entirely reliant on CET to choose what kind of COVID test they wanted to conduct and TTS created their own proprietary [test] regardless of what we could have wanted specifically for ourselves. With our lab, we can do what we want.”

Improved Turnaround Times and Other Priorities

“Our current plan is to set up a lab in [Los Angeles] and be able to process samples nationally. We’d be able to partner with individual draw centers anywhere in the country. It also means dedicated turnaround times; instead of competing against whatever other samples are being processed, we would have a lab specifically dedicated to the needs of our industry, prioritizing our industry.”

The Non-Profit Factor

“It’s also nonprofit, meaning that we can dramatically reduce costs based on access to different grant funding. We would be required to publish our financials annually so you’d be able to see exactly where money is going. Right now, just within the PASS system, three to four million dollars is being spent on testing. I think we have an opportunity to both reduce that cost and reinvest it in ourselves.”

TTS and CET Could Return to PASS

“This feels like the best way to regain control and build a network for ourselves, [but] that wouldn’t mean excluding TTS or CET from the process — if they wanted to continue to participate, offer the same test results — but it would give us the ability to negotiate what we need for ourselves.”

O’Brien cited a “need for increased governance structure. We want participation from the community. We need more input and we need more direct ways of interacting with you all, and moving forward — that’s the current direction of PASS.”

Related:  

Florida Judge Orders Seizure and Sale of ‘Flava Works’ Assets

FORT LAUDERDALE, Fla. — A Miami federal judge ordered the seizure and sale of much of the IP of gay studio Flava Works yesterday, after a protracted legal battle with dating platform Adam for Adam (A4A).

Judge Joan Lenard granted defendant A4A’s Motion to Seize and Sell — filed in June 2019 — in the latest development of a lawsuit initiated by Flava Works and owner Phillip Bleicher back in 2014.

In addition to the seizure and sale, Flava Works was ordered to pay the attorney fees for A4A out of the proceeds.

Yesterday’s order follows a report filed on Wednesday by U.S. Magistrate Judge Jonathan Goodman, who stated that Bleicher had “shown extreme disregard for the court’s orders,” that although “the order initially awarding fees was entered more than two years ago,” he had “spent the past two years claiming to be in search of counsel, attempting to re-litigate previously-decided issues and ignoring court orders and deadlines.”

Judge Goodman also noted that “at the time of this report and recommendations, Plaintiff is currently unrepresented. This, however, is a result of the Plaintiff’s own actions. Since first filing a complaint on August 29, 2014, Plaintiff has retained no fewer than six different attorneys. This is despite the fact the Complaint was voluntarily dismissed on January 21, 2015.”

“Even when Plaintiff has had counsel,” Goodman continued, “he has requested numerous extensions, missed multiple deadlines, and continued to re-litigate — in this Court — previously resolved issues.”

Bleicher had been required to obtain counsel by May 4, 2021 and to file a response to defendants’ motion by May 18.

“He has done neither,” Goodman continued. “Defendants’ motion was filed on December 8, 2020 and, in more than six months, Plaintiff has failed to provide any response to the legal or factual merits of Defendants’ motion.”

John F. Bradley, Esq. of Bradley Legal Works, P.A. represents A4A.

Flava Works, Inc. v. A4A Reseau, Inc. et al

UPDATED: Florida Judge Orders Seizure and Sale of ‘Flava Works’ Assets

Update (Monday, July 19, 8:16 a.m.): This story has been updated to include a quote from Flava Works principal Phillip Bleicher.

FORT LAUDERDALE, Fla. — A Miami federal judge ordered the seizure and sale of much of the IP of gay studio Flava Works yesterday, after a protracted legal battle with dating platform Adam for Adam (A4A).

Judge Joan Lenard granted defendant A4A’s motion to seize and sell — filed in June 2019 — in the latest development of a lawsuit initiated by Flava Works and owner Phillip Bleicher back in 2014.

In addition to the seizure and sale, Flava Works was ordered to pay the attorney fees for A4A out of the proceeds.

Yesterday’s order follows a report filed on Wednesday by U.S. Magistrate Judge Jonathan Goodman, who stated that Bleicher had “shown extreme disregard for the court’s orders,” and that although “the order initially awarding fees was entered more than two years ago,” Bleicher had “spent the past two years claiming to be in search of counsel, attempting to re-litigate previously-decided issues and ignoring court orders and deadlines.”

Judge Goodman also noted that “at the time of this report and recommendations, Plaintiff is currently unrepresented. This, however, is a result of the Plaintiff’s own actions. Since first filing a complaint on August 29, 2014, Plaintiff has retained no fewer than six different attorneys. This is despite the fact the Complaint was voluntarily dismissed on January 21, 2015.”

“Even when Plaintiff has had counsel,” Goodman continued, “he has requested numerous extensions, missed multiple deadlines, and continued to re-litigate — in this Court — previously resolved issues.”

Bleicher had been required to obtain counsel by May 4, 2021 and to file a response to A4A’s motion by May 18.

“He has done neither,” Goodman continued. “Defendants’ motion was filed on December 8, 2020 and, in more than six months, Plaintiff has failed to provide any response to the legal or factual merits of Defendants’ motion.”

John F. Bradley, Esq. of Bradley Legal Works, P.A. represents A4A.

“We unfortunately hired some attorneys who turned out to be of the same caliber as Rudy Giuliani — and two of them are currently under investigation by the bar disciplinary commission and one was recently disbarred,” Bleicher told XBIZ.

“We are cleaning up this mess, not going out of business and have filed Chapter 11 to reorganize these debits,” he added.

Flava Works, Inc. v. A4A Reseau, Inc. et al

Fun Factory, Lovers Unveil ‘Semilino’ Vibe

Fun Factory, Lovers Unveil 'Semilino' Vibe

LOS ANGELES — Fun Factory and Lovers have partnered on the exclusive release of the Semilino vibrator.

“The Semilino is particularly different because of its stimulating ridges,” Lovers sexologist Marla Renee Stewart explained. “These ridges are useful because not only do they stimulate the G-spot along with the Semilino’s strong internal motor and gentle curve, but if you move the Semilino in-and-out of your vagina, there’s stimulation on the opening of the vagina, which is one of the most sensitive parts.”

“What’s also great about this toy is that it’s not afraid to get wet. Not only can it help you have a squirting orgasm, you can also use it in the tub or shower because it can totally be submerged without missing a beat,” noted Stewart. “It’s made of body-safe silicone and phthalate-free, so the product won’t degrade over time. Also, it boasts a travel-lock so you can take the Semilino on the go without fear of it turning on randomly.”

Additional features include a two-year warranty and a three-button interface for six patterns and six intensities. The vibe measures 6.8 inches x 1.3 inches.

The Fun Factory x Lovers Semilino Vibrator carries an $89 MSRP and is available exclusively at LoversStores.com.

Related:  

Natasha Starr Toplines New Indie Horror Short, ‘Squat House’

NEW YORK — Natasha Starr toplines the new indie horror short “Squat House,” which is now available on Vimeo.

“Squat House” follows a group of people who enter an abandoned house mysteriously filled with booze and drugs. They decide to take advantage of the situation, but realize there is a crazed killer in the house.

Starr plays Lee, one half of a lesbian couple; Lee’s partner is played by fellow adult star Minnie Scarlet.

“Natasha was absolutely fantastic to work with and so sexy on camera,” director Guy Garbáge enthused. “We had no real script. We just worked off an outline. But Natasha did beautiful things with her improvisation. Sometimes I didn’t even have to direct her. I would love the opportunity to work with her again.”
 
Follow Royal Imperial Pictures, the production company behind the film, on Instagram.

A trailer for “Squat House” can be found here. The title is available for streaming at $1.49 or streaming and downloading at $3.49.

Follow Natasha Starr on Twitter and find her premium social media linkage here.

Related:  

Vina Sky Stars in ‘One Night Stand’ Fantasy for VR Bangers

Vina Sky Stars in 'One Night Stand' Fantasy for VR Bangers

LOS ANGELES — Vina Sky stars in the latest fantasy from VR Bangers, titled “One Night Stand.”

The VR storyline centers on a woman who has just gotten out of a long-term relationship and wants to hook up with as many guys as possible, with the viewer in the role of someone who just matched with her on a dating app.

“Vina just likes to have fun, and she will prove that to you on behalf of her latest VR movie,” producer Ivan Harbakon said. “Inside of ‘One Night Stand’ – our latest VR porn release – we have turned an extremely popular fantasy into something that could happen to every single one of us — and we boosted it up with the presence of Vina.”

“I think that we did great, and I can’t wait for our viewers to let us know how they like this date with our hot, petite star,” he added.

“One Night Stand” can be viewed here.

For the latest updates, follow Vina Sky and VR Bangers on Twitter.

Related:  

Casca Akashova Joins Real-Life ‘Whisker Wars’ at Nashville Wildlife Benefit

Casca Akashova Joins Real-Life 'Whisker Wars' at Nashville Wildlife Benefit
Casca Akashova Joins Real-Life 'Whisker Wars' at Nashville Wildlife Benefit

 

NASHVILLE — Casca Akashova made a surprise appearance at a beard-and-mustache competition in Nashville that took place on July 10 and was dubbed “Showdown at the Southern Gates.”

Akashova was in town to meet with publishers about a graphic novel project and decided to drop in on the event, hosted by the Metropolitan Pogonotrophy Society and benefitting the Tennessee Wildlife Federation, at Mercy Lounge on the city’s historic Cannery Row.

“I’m very passionate about environmental issues and wildlife conservation, but the idea of attending a beard contest also appealed to me because, just like several precious species in the Volunteer State and across this country, real men seem to be endangered, too,” Akashova said. “I came out to show my support for both.”  

Similar to the TV series “Whisker Wars,” this competition features a group of competitive beardsmen going head-to-head and bristle-to-bristle.  

“Every man there was a perfect gentleman,” Akashova enthused. “I ended up participating in three silent auctions, made some new friends and had a wonderful time in support of a great cause.”

Find Tennessee Wildlife Federation (TWF), the Mercy Lounge and the Metropolitan Pogonotrophy Society (MPS Nashville) online.

Akashova is represented by AMA Modeling for work on the East Coast and 101 Modeling for West Coast shoots.

Follow Casca Akashova on Twitter and find her premium social media links here.

 

 

Related:  

Joslyn Jane Releases New All-Girl Cleavage-Focused Clip

Joslyn Jane Releases New All-Girl Cleavage-Focused Clip
Joslyn Jane Releases New All-Girl Cleavage-Focused Clip
 

MIAMI — Joslyn Jane has added a new all-girl clip to her ManyVids store titled “Oily Tit Worship with Bess Breast.”

The clip features the women playing with and oiling up each other’s breasts. As a rep described, “Watch as Joslyn and 24-year-old Bess worship and play with each other’s natural boobs. Thrill as the ladies slather each other’s naked curves with oil and worship their slick bodies and delectable melons.”

Jane took a moment to praise he co-star’s work in this clip. “Bess is a great performer. She’s so natural and it’s truly a sexy scene,” Jane enthused. “She has big, natural 35Es. I know the fans are going to love this one.”

The clip can be purchased from Joslyn Jane’s ManyVids store; follow her on Twitter.

 

 

Related:  

Natalia Nix Stars in New Lethal Hardcore Scene, Sets New Shoot Dates

MIAMI — Natalia Nix is featured in “My Stepdaddy Trained Me Well 4,” one of the latest releases from Lethal Hardcore, and has announced a fresh set of dates in which she is available to shoot new content.

The new release is a role-play scene in which Nix performs with Jerry Kovak as her stepdaddy. After Nix back-talks Kovak, he decides to discipline her in an arousing way.

“I want to thank Lethal Hardcore for having me back for another sexy scene,” Nix said. “I love being the bratty stepdaughter who gets put in her place by her stepdaddy.”

The release is available to subscribers of LethalHardcore.com and it can be purchased on VOD.

Additionally, Nix will be available for shooting in Los Angeles from August 19-27. Studios interested in working with Nix can contact her representatives at 101 Modeling

Follow Natalia Nix on Twitter for updates.

Related: